Kodak ISBN 0-87985-749-8 Uživatelský manuál

© Eastman Kodak Company, 2000ISBN 0-87985-749-8Library of Congress Catalog Card No. 97-77797C i n e m a t o g r a p h e r ’sField GuideKODAKMOTIONPICT

KODAK Motion Picture Camera FilmsCode No. Exposure Index (DIN)Film Name35 mm 16 mm super 8Type DaylightTungstenSee(3200 K)Page12 (12) withEASTMAN EXR

6/00 MPF-5KODAK Motion Picture Camera FilmsCode No. Exposure Index (DIN)Film Name35 mm 16 mm super 8Type DaylightTungstenSee(3200 K)Page12 (12) withEA

5 2 4 5™/7 2 4 5™(35 mm, 65 mm/16 mm)EASTMAN EXR 50D Fi l mDaylight EI 50 (18)E x p o s u re Indexes and FiltersK O D A KC a m e r a E x p o s u r eLi

5 2 45/7 2 4 5Process: ECN-2U s e : E A S T M A N EXR 50D Film 5245/7245 is a camerafilm intended for general motion picture production. The wide exp

100TMPF-8 9/98COLOR NEGATIVE FILM5 2 4 8™/7 2 4 8™(35 mm, 65 mm/16 mm)E A S T M A N EXR 100T FilmTungsten EI 100 (21)E x p o s u re Indexes and Filter

5248/7248P rocess: E C N - 2Use: EA S T M A N EXR 100T Film 5248/7248 is intended for general motion picture production. The widee x p o s u re latitu

VISION 200TMPF-10 9/98COLOR NEGATIVE FILM5 2 7 4™/7 2 7 4™(35 mm, 65 mm/16 mm)KODAK VISION 200T Color Negative FilmTungsten EI 200 (24)E x p o s u re

9/98 MPF-115274/7274P rocess: E C N - 2Use: KODAK VISION 200T Color Negative Film5 2 7 4 /7274 features very high sharpness, fine grain,accurate flesh-

200T5 2 9 3™/7 2 9 3™(35 mm, 65 mm/16 mm)E A S T M A N EXR 200T FilmTungsten EI 200 (24)E x p o s u re Indexes and FiltersK O D A KC a m e r a E x p o

9/98 MPF-135293/7293Use: EASTMAN EXR 200T Color Negative Film5 2 9 3 /7293 is intended for general motion picturep roduction. The wide exposure latitu

Cinematographer’sField GuideSeventh Edition, November 2000© Eastman Kodak Company, 2000ISBN 0-87985-749-8Library of Congress Catalog Card No. 97-77797

SFX 200TMPF-14 9/98COLOR NEGATIVE FILM(35 mm)KODAK SFX 200T Color Negative FilmTungsten EI 200 (24)E x p o s u re Indexes and FiltersK O D A KC a m e

9/98 MPF-15SFXP rocess: E C N - 2U s e : KODAK SFX 200T Color Negative Film is opti-mized for traveling matte shots, so fore g round actionphotographe

MPF-16 9/98VISION 250DCOLOR NEGATIVE FILM5 2 4 6™/7 2 4 6™(35 mm, 65 mm/16 mm)KODAK VISION 250D Color Negative FilmDaylight EI 250 (25)E x p o s u re

9/98 MPF-175246/7246P rocess: E C N - 2Use: KODAK VISION 250D Color Negative Film5 2 4 6 /7246 features very high sharpness, fine grain,accurate flesh-

MPF-18 9/98VISION 320TCOLOR NEGATIVE FILM5 2 7 7™/7 2 7 7™(35 mm, 65 mm/16 mm)KODAK VISION 320T Color Negative FilmTungsten EI 320 (26)E x p o s u re

9/98 MPF-195277/7277P rocess: E C N - 2Use: KODAK VISION 320T Color Negative Film5 2 77/7277 lets you create a very diff e rent look—s o f t e r,m o r

MPF-20 9/98VISION 500TCOLOR NEGATIVE FILM5 2 7 9™/7 2 7 9™(35 mm, 65 mm/16 mm)KODAK VISION 500T Color Negative FilmTungsten EI 500 (28)E x p o s u re

9 / 9 8 M P F - 2 15279/7279P rocess: E C N - 2Use: KODAK VISION 500T Color Negative Film5 2 7 9 /7279 features very high sharpness, fine grain,accura

500TMPF-22 9/98COLOR NEGATIVE FILM5 2 9 8™(35 mm, 65 mm)E A S T M A N EXR 500T FilmTungsten EI 500 (28)E x p o s u re Indexes and FiltersK O D A KC a

9/98 MPF-235298P rocess: E C N - 2Use: EA S T M A N EXR 500T Film 5298 is a camera fil mintended for general motion picture production. The widee x p o

9/98 iiiC O N T E N T SPage No.I N T R O D U C T I O N. . . . . . . . . . . . . . . . . . . . . . . . . . . . i vK O D A K MOTION PICTURE CAMERA FILMS

VISION 800TMPF-24 6/00COLOR NEGATIVE FILM5 2 8 9™/ 7 2 8 9™(35 mm/16 mm)KODAK VISION 800T Color Negative FilmTungsten EI 800 (30)E x p o s u re Indexe

6/00 MPF-255289/7289P rocess: E C N - 2U s e : KODAK VISION 800T Color Negative Film / 5289/7289 offers excellent image quality and thehighest cap

MPF-26 9/00EKTACHROME 100DCOLOR REVERSAL FILM5 2 8 5™(35 mm)KODAK E K TA C H R O M E100D Color Reversal FilmDaylight EI 100 (21)E x p o s u re Indexes

9/00 MPF-275285P rocess: E-6, cine machineUse: KODAK EKTACHROME 100D Color ReversalFilm / 5285 is a 100-speed, high-color reversal motionp i c t u r e

MPF-28 9/98EKTACHROME FILM7 2 4 0™(16 mm, Super 8)E A S T M A N E K TACHROME FilmTungsten EI 125* (22)E x p o s u re Indexes and FiltersK O D A KC a m

9/98 MPF-297 2 4 0P ro c e s s : VNF-1 or RV N P. Force processing: 1 stopwith some loss in quality; up to 2 stops with noticeablequality loss. Use:

MPF-30 9/98EKTACHROME FILM7 2 3 9™(35 mm/16 mm)E A S T M A N E K TACHROME FilmDaylight EI 160 (23)E x p o s u re Indexes and FiltersK O D A KC a m e r

9/98 MPF-317239P ro c e s s : VNF-1 or RV N P.F o rce processing: 1 stop with some loss in quality; up to2 stops with noticeable quality loss.U s e :

MPF-32 9/98EKTACHROME FILM7 2 5 0™(16 mm)E A S T M A N E K TACHROME High Speed FilmTungsten EI 400 (27)E x p o s u re Indexes and FiltersK O D A KC a

9/98 MPF-337250P rocess: VNF-1 or RV N P.F o rce processing: 1 stop with some loss in quality; up to2 stops with noticeable quality loss.Use: The very

iv 9/98I N T R O D U C T I O NThis pocket-sized publication provides up-to-date and easy-to-use information about all K O D A K Motion PictureCamera

MPF-34 9/98EKTACHROME FILM7 2 5 1™ (16 mm)E A S T M A N E K TACHROME High Speed FilmDaylight EI 400 (27)E x p o s u re Indexes and FiltersK O D A KC a

9/98 MPF-357 2 5 1P ro c e s s : VNF-1 or RV N P.F o rce processing: 1 stop with some loss in quality; up to2 stops with noticeable quality loss. U s

MPF-36 9/98PLUS-X NEGATIVE FILM5231™/7231™ (35 mm/16 mm)EASTMAN PLUS-X Negative FilmE x p o s u re Indexes:(For development to gamma of 0.65)D a y l i

9/98 MPF-375 2 3 1 / 7 2 3 1R e c i p rocity Characteristics: You do not need to makeany exposure or filter adjustment for exposure times f rom 1/10,0

MPF-38 9/98DOUBLE-X NEGATIVE FILM5222™/7222™ (35 mm/16 mm)EASTMAN DOUBLE-X Negative FilmE x p o s u re Indexes: (For development to gamma of 0.65)D a

9/98 MPF-395 2 2 2 / 7 2 2 2R e c i p r ocity Characteristics: No exposure or filtercompensation is re q u i r ed for exposure times fro m1/10,000 to

MPF-40 9/98PLUS-X REVERSAL FILM7276™ (16 mm, Super 8)EASTMAN PLUS-X Reversal FilmE x p o s u r e Indexes*: (For recommended re v e r s a lprocessing)D

9/98 MPF-417 2 7 6Illumination (Incident Light) Table for Tu n g s t e nL i g h t (24 frames per second, 170° shutter opening)Lens Aperture f/1. 4 f/

MPF-42 9/98TRI-X REVERSAL FILM7278™ (16 mm, super 8)EASTMAN TRI-X Reversal FilmE x p o s u r e Indexes: (For recommended re v e r s a lprocessing)D a

9/98 MPF-437 2 7 8Illumination (Incident Light) Table for Tu n g s t e nL i g h t (24 frames per second, 170° shutter opening)Lens Aperture f/1. 4 f/

9/98 vu n d e re x p o s u re latitude, wider speed ranges, and impro v e-ments in grain structure, sharpness, continuous-tonere p roduction, and colo

Incident-Light Illumination(in footcandles)(Frame rate: 24 frames/sec–approx1/50 sec)NOTE: Data applies to both color and black-and-white films.Exp Ind

1F I LTER INFORMAT I O NI n t ro d u c t i o nUse the filter and color temperature charts in this sectionas a quick re f e rence and general guide. The

Filter Factors* for KODAK Motion Picture FilmsNegative Films Reversal FilmsFilter PLUS-X DOUBLE-X

3Below is a conversion table of filter factors to exposurei n c rease in stops. Each time a filter factor is doubled, the exposure needsto be increased

4Conversion Filters for Color FilmsThese filters are intended for use whenever s i g n i fic a n tchanges in the color temperature of the illumination a

5KODAK Light Balancing FiltersLight-balancing filters enable the photographer to makem i n o r adjustments in the color quality of illumination toobtai

6Neutral Density FiltersIn black-and-white and color photography, filters such asthe KODAK WRATTEN Neutral Density Filters No. 96reduce the intensity o

A p p roximate Correlated ColorTe m p e r a t u re for Various Light Sourc e sSource Degrees KelvinArtificial LightMatch Flame. . . . . . . . . . . . .

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8/99 9TIPS AND TECHNIQUESI n t ro d u c t i o nThis collection of ideas is provided by Kodak people andothers who work in the professional motion p

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10 9/00theatrical presentation and to keep all pertinent actionwithin this area. The cinematographer must make certainno scene rigging, microphone

15A m b i e n t - B a c k g round Radiation ( e ffects on raw stock) Ambient gamma radiation is composed of two sources: al o w - e n e rgy component

16U n p rocessed Film Before and After ExposureExposed film, particularly color, deteriorates more rapidlythan unexposed film. Process films as soon as p

176. Wind films emulsion in and store flat in untaped cansunder the above conditions.Shooting for Te l e v i s i o nThe television industry is changing.

184. Don’t photograph dark-skinned people against verybright or very dark backgrounds. 5. Try to maintain a range of 5 to 6 stops from thebrightest to

19• Black cloth• Magazine belt clips and pick• This copy of Cinematographer’s Field Guide,KODAK Publication No. H-2.To o l s• Longnose pliers• Diagona

20• Insert slate• Log sheets• Dental mirro r• Magnifie r• “Dust Off” (or equivalent canned air)• Black felt marker (Sharpie)• Lens cleaner and lens tis

21Flashing Camera Films to Lower Contrast “Flashing” means to deliberately fog film by giving it au n i f o rm exposure before processing. The amount a

22Get acquainted—Once you have made your choice oflabs, get to know the people who will do your work. Te l lthem as much as you can about yourself, yo

Winding DesignationsIn the sketches below, the film is wound on cores and theemulsion side of the film faces the center of the roll. All 35 mm camera fil

9/98 MPF-1K O D A K MOTION PICTURE CAMERA FILMSI n t ro d u c t i o nThis section provides pertinent information about allc u r rently available K O D

2816 mm End Use6. 2 R - 2 9 94—16 mm film perforated two edges with ap e rforation pitch of 0.2994 (7605), short pitch,(ANSI/SMPTE 10 9-1996) 7. 2 R -

ORDERING RAW STOCKI n t ro d u c t i o nAll of the information presented in this field guide isintended to help you determ i ne—•the right film (perf o

To illustrate our point, let’s look at one example:If you order a 400-ft (122 m) roll of 35 mm KODAKVISION 200T Color Negative Film 5274, the CAT No.

Two internationally recognized sources of technicali n f o rmation for motion picture pro c e d u res and standard sa re the Society of Motion Picture

INTERNATIONALKodak Locations and DistributorsARGENTINAEl Business CenterBonpland 1930/32 Phone: 54-11-4448 3988CP B1667JUV Buenos Aires, Argentina FAX

CHILEKodak Chilena S.A.F.Av. Presidente Eduardo Frei M 99950(Panamericana Norte–Quilicura) Phone: 56-2-530 8295Santiago, Chile FAX: 56-2-747 1300CHINA

FINLANDKodak OYP.O. Box 49Mäkelänkatu 91 Phone: +358-087-07100611 Helsingfors, Finland FAX: +358-087-01352Contact: Kari Nordberg Mobile: +358-400 451

IRANKodak (Iran) P.J.S.C. Co.Dowlatshad Bldg, Apt 2Box No. 154-2 Phone: 98-21-227-6000Tehran 19395, Iran FAX: 98-21-808-7266IRELANDKodak Ltd, Kodak Ho

LUXEMBORGN. V. Kodak S.A.Entertainment ImagingService Center Brussels Phone: 32-2-719-41-93Ikaroslaan 18 FAX: 32-2-719-41-99B-1930 Zaventem Belgium E-

PERUKodak Américas, Ltda.Av Nicolás Arriole 480Santa Catalina, La Victoria Phone: 51-1-224 8610Lima Peru FAX: 51-1-224 7826PHILIPPINESKodak Philippine

MPF-2 9/98Technical Inform a t i o nFor technical information in the United States, call the Kodak Information Center (KIC), 9:00 a.m. to 7:00 p.m. (E

SPAINKodak SACarretera Nacional VI, Km 2328230 Las Rozas Phone: 34 1 626 7155(Madrid) Spain FAX: 34 1 626 7369SWEDENKodak Nordic AB Phone: +46-8-580

39UNITED STATESEastman Kodak Company815 West Van Buren, Suite 320 Phone: 312-492-1421Chicago, Illinois 60607 USA FAX: 312-492-142911337 Indian Trail P

40Motion Picture Film UpdatesEastman Kodak Company offers updates of the filmsection of the Cinematographer’s Field Guide as new fil m sa re introduced

9/98 MPF-3wavelength-by-wavelength comparison of film sensitivityand spectral output of the lamp can determine the exactfilters re q u i red to balance